Rosemarie trockel. TROCKEL, ROSEMARIE

Biography of Rosemarie Trockel

rosemarie trockel

If you are interested in receiving a high resolution image of an artwork for educational, scholarly, or publication purposes, please contact us at This resource is for educational use and its contents may not be reproduced without permission. Her installations and sculptures are often large-scale, which defies many stereotypes related to female art. Please review our for more information. Throughout these woolen surfaces, Trockel depicts generic, computer-generated imagery or, in some cases, specific historic iconography, such as the Soviet worker with a sickle and hammer. A Cosmos reflected Rosemarie Trockel's interest in creating a space for ideas to exist between different disciplines, past and present. Trockel first rose to prominence after exhibiting her celebrated Knitted Paintings 1985 series, which were created using machine-knitted fabrics stretched onto canvas supports.

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Exposición

rosemarie trockel

After the enormous success of the initial show, in 2013 this exhibition has traveled to the Serpentine Galleries in London. During the 70s, the artist started addressing various contemporary concerns, such as the place of a female artist in the art world. An introduction to the exhibition was produced by Berlin-based writer and musician Dominic Eichler. During her school days, talented young Trockel has already shown an undeniable interest is the grotesque and the unusual and majority of her early artworks were influenced by the later forms of surrealism. Born in 1989, she had studied at the University of Belgrade — Faculty of Political Sciences Journalism. In these pieces, a black yarn is stretched across a square of white Perspex. In 2012, her art was featured in a major retrospective exhibition called Rosemarie Trockel: A Cosmos, which was held at the New Museum in New York.

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TROCKEL, ROSEMARIE

rosemarie trockel

She is a professor at the Kunstakademie Düsseldorf, in Düsseldorf in Nordrhein-Westfalen. Employing a wide range of materials, including video, ceramics, drawing, found artifacts, and knitted works, the artist raises questions of politics, domesticity, eroticism, and fantasy. Rosemarie Trockel has long been admired for her highly independent and influential practice. This audio introduction was designed to be enjoyed on visitors' own mobile devices whilst in the Gallery or at home. The woolen pieces she is famous for are not any regular embroidery- instead, her materials are patterned with computer-made geometrical motifs, or with famous logos, such as the hammer and sickle, which is the widely-known motif of the Soviet Union. Although her pieces are clearly versatile, Trockel became best known for her unique knit paintings made of machine-woolen materials stretched onto fabric.

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Rosemarie Trockel born 1952

rosemarie trockel

These portraits were used to address the issue of gender identity in the world of fashion. Watercolours painted by the pioneering botanist Maria Sibylla Merian sat alongside intricate models of marine invertebrates crafted by Leopold and Rudolf Blaschka, initially used as research tools by naturalists who had no access to living specimens. Rosemarie Trockel Schwerte, Germany, 1952 is one of the forerunners of this generation. These artists provide models of dedication to their chosen field that, for Trockel, are exemplary and inspiring. She has made drawings, paintings, sculptures, videos and installations, and has worked in mixed media. Many of the objects and artworks, selected by Trockel in dialogue with curator Lynne Cooke, produced a context for the artist's work within other fields of inquiry, such as the natural sciences and natural history.

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Rosemarie Trockel: A Cosmos

rosemarie trockel

Which creates the illusion of a black and white painting. Interests: Photography, Art, Film, Folklore, Video Games Rosemarie Trockel is one of the most influential German contemporary artists, internationally renowned for her complex and controversial works. Monipäer features a group of people who contemplate artworks in a modern house. Trockel represented Germany at the 1999 Venice Biennale and participated in Documenta in 1997 and 2012. Ever since the beginning of her career, Trockel showed her love for addressing controversial issues of sexuality, feminism, as well as the hierarchy of the political and social systems. A Cosmos traced a historical lineage from early curiosity cabinets the wunderkammer to natural history and modern art museums through to the white cube of contemporary galleries. She addressed issues of sexuality, feminism, and the human body, and also questioned the hierarchy of systems: political, social, and even aesthetic.

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Exposición

rosemarie trockel

Consequently, they appeared framed and behind glass themselves, because of the aesthetics of modern architecture. The constants of her wide-ranging practice include issues that have long occupied her thinking and that have underpinned her diverse activity, such as contrasting ideas of feminism as well as the divides constructed between amateur and professional, celebrity and anonymity, and the fine and applied arts. This exhibition was curated by Lynne Cooke and organised by the Museo Nacional Centro de Arte Reina Sofía in collaboration with the Serpentine Gallery. In a German art scene dominated by male stars like Beuys, Anselm Kiefer, Sigmar Polke, Gerhard Richter, and Georg Baselitz, her subversive leanings soon pegged her as an enfant terrible. B 1985, she came to a brilliant idea to stretch these woolen materials onto frames. This unique spider series is the part of the permanent collection of the Museum of Modern Art in New York.

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Rosemarie Trockel: A Cosmos

rosemarie trockel

Trockel's appreciation of such variously under-recognised objects and artists stems from her empathy both with the questions their work addresses, and with the directness and inventiveness with which they are realised. The objects that made up this cosmos offered a wealth of resonant relationships between different fields of knowledge and experience, proposing that we remain open to new discoveries. Featured image: Portrait of Rosemarie Trockel — image via nytimes. This piece is rather interesting in a conceptual sense and it resembles the idea of a metatheatre, normally used as a literary technique. This artwork is a one-of-a-kind mechanical contraption consisting of intertwined wires, steel rollers, and 56 paint brushes.

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